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  •  Mediamatic Magazine
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  • Mediamatic Magazine Vol. 6#4 Petra Pijnappels 1 Jan 1992

    Whistling in the Dark

    Pondering the cinéma d'hier, cinéma d'aujourdhui , French director René Clair once attempted to conceive how the film music of the future would sound: The sound film will probably produce a...
  • Boredom
  • Interpretation
  • Aesthetics
  • Transparency
  • Television
  • Rhythm
  • Cinema
  • Perception
  • Montage
  • Mediamatic Magazine Vol. 6#4 Marc Holthof 1 Jan 1992

    The Panoramic Ear

    While the eye sees only 180 degrees, the ear hears a panoramic 360. Yet, the ear must submit to the eye. Using the melodious equality of the composer Rousseau, the hearing camera of Jean Renoir and...
  • Mediamatic Magazine Vol. 2#4 1 Jan 1988

    Travelling Light

    Are music videos art?

    Steve Bode has his doubts but still reviews two recent compilations; Talking Heads and Depeche Mode. Okay, just this one time then.
  • Mediamatic Magazine Vol. 6#4 Geert Lovink 1 Jan 1992

    The Theory of Mixing

    an inventory of free radio techniques in Amsterdam

    An extensive underground radio culture exists in Amsterdam, beyond the reach of art or commerce, a culture which strives to make idiosyncratic media connections. Geert Lovink surveys the free ether.
  • Mediamatic Magazine Vol. 6#4 1 Jan 1992

    In Memoriam the Ear

    With regard to the ear, we humans were still living in a transitory phase: that of the whale which could already swim, but would still heave itself ashore out of nostalgia.

  • Runaway van Kanye West

    Vanessa Beecroft als het geheim wapen van een nieuwe regisseur

    Eigenlijk is Kanye Wests videoclip "Runaway" vooral sterk in alles wat er niet te zien is. Kanye is de regisseur, tegelijk de hoofdrolspeler en zo meer, maar let op, bij de aftiteling staat Vanessa...
  • Mediamatic Magazine Vol. 6#4 Dirk Van Weelden 1 Jan 1992

    Machine Voices

    Talking to chairs, calling a sweater, swearing at the garlic press. A bit of the animism which is part of a child's interaction with its environment survives in each of us. But it still takes a bit...
  • Mediamatic Magazine Vol. 8#4 Willem Velthoven 1 Jan 1996

    vol. 8#4 The Religion Issue

    Editorial: Are People the Gods of the Algorithms?

    The word avatar does not occur in this issue of Mediamatic.
  • Mediamatic Magazine Vol. 6#4 Lex Wouterloot 1 Jan 1992

    Silent Killing

    With the progress in fire control, the war machine is becoming ever noisier. Lex Wouterloot put his ear to the ground.
  • 1 Jan 2005

    What are the Issues Covered

    @ the Interactive Narration Workshops?

    In each Workshop we view the Possibilities and Difficulties surrounding Interactive Narration from the Perspective of the Participants' Discipline.
  • Mediamatic Magazine Vol. 6#4 Adilkno, Bilwet 1 Jan 1992

    The Dominant Ear

    It's often said that we live in an empire of images.

  • Instant Cinema

    een online community rond experimentele film

    Dit project heeft inmiddels subisidie gekregen van de Mondriaan Stichting In november 2008, tijdens de eerste editie van Kom Je Ook?, pitchten wij een idee voor een web 2.0-project. Als één van de...
  • Mediamatic Magazine Vol. 2#1 1 Jul 1987

    Editorial

    Halfway through the Documenta , we feel we should make our contribution to the wave of publicity, which already seems to have lost momentum. Therefore we confined ourselves to interesting, specialist...
  • Mediamatic Magazine 3#2 Marie-Adèle Rajandream 1 Jan 1988

    Work to Watch

    Giny Vos (Rotterdam 1959) graduated this summer from the RIETVELD ACADEMIE in Amsterdam. She has become known for a number of large-scale conceptual works.
  • Mediamatic Magazine Vol. 6#4 Thomas M Macho 1 Jan 1992

    The Art of Pause

    a music-ontological meditation

    Ein großer Kunstgriff der Natur war es, das Leben durch den Schlaf gleichsam zu unterbrechen.

  • Report: What's Up #27: 'ik wil een film maken die…

    6 april 2010

    What's Up gaat vanavond helemaal over special effects. Jörgen Tjon a Fong ondervraagt regisseur Tim Smit, Vincent Lammers en Kyle Obley van The Ambassadors en Rogier Samuels en Xander Forterie van...

  • CueMark #1

    part of ABELmash: Annotation Based eLearning & mashups

    CueMark is a 2.0 streaming video&audio annotation tool for films, documentaries, television programmes, concerts and performances. It’s specially designed for the contextualization and analyses of...
  • Mediamatic Magazine Vol. 6#4 Rik Delhaas 1 Jan 1992

    Head Suggestions?

    The loss of part of one's body or one of its functions aren't the only reasons for acquiring a prosthesis. It is not only to suggest a complete human being that a range of mechanical, electronic or...
  • Mediamatic Magazine vol. 8#2/3 Errki Huhtamo 1 Jan 1995

    Armchair Traveller on the Ford of Jordan

    The Home, the Stereoscope and the Virtual Voyager

    The general panorama of the world. It introduces to us scenes known only from the imperfect relations of travellers. By our fireside we have the advantage of examining them, without being exposed to...

  • Beauty Parlour

    In the Spring of 2008 almost every Thursday evening was dedicated to public research meetings called Beauty Parlours...
  • Mediamatic Magazine Vol. 2#2 Walter Schneemann 1 Jan 1987

    Desire and Television Autism

    In the early days of video, discussions centered on the dichotomy video-television and judging from the number of exhibitions, conferences and symposiums devoted to the subject, this dichotomy is...
  • Mediamatic Magazine Vol. 6#4 Arthur Kroker, Marilouise Kroker 1 Jan 1992

    Mutant Ears

    What is the speed of Music?

    At what point does music red shift to ultrasonic velocity like all those spectral objects before it, break the sound barrier and then follow an immense curvature towards that point of incredible...
  • Mediamatic Magazine Vol. 6#4 Norbert Bolz 1 Jan 1992

    The Images of the 21st Century

    Can the cinema show images beyond the cinema? According to Norbert Bolz, the most recent works of Peter Greenaway and Wim Wenders document a spectacularly changed materiality of the film: the...
  • Mediamatic Magazine Vol. 1#2 Annie Wright 1 Jan 1986

    Through the Looking Glass

    Television and the Sixties Generation

    In the sixties, artists used video to criticize television (cf. the FLUXUS article in this issue). ANNIE WRIGHT describes the influence of TV on normal people.
  • Mediamatic Magazine Vol. 6#4 Heinz-Werner Lawo 1 Jan 1992

    Cushions in Art

    They are repeatedly the things which resist us and induce us to act and reflect.

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