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  • Zoot Derks

    Master Artistic Research UvA

    Zoot invites you 19 feb and 01 march 2009 to the exhibition in W139 "The Best of both Worlds" Zoot Derks Joa Hug Zbigniew Maciak Imke Ruigrok Vital Stahievitc 19 th february 20.00 OPENING with...
  • Interaction
  • print
  • Philosophy
  • Theatre
  • Cinema
  • New media
  • Theory
  • Genetics
  • Montage
  • 1 Jan 2005

    What are the Issues Covered

    @ the Interactive Narration Workshops?

    In each Workshop we view the Possibilities and Difficulties surrounding Interactive Narration from the Perspective of the Participants' Discipline.
  • Daniel Bouw 20 Jan 2010

    Appels en peren

    uiteindelijk past alles bij elkaar, als het maar inspirerend is

    Een programma samenstellen voor Kom je ook? is een zoektocht in verschillende netwerken en langs vele wegen. De mogelijkheden blijken eindeloos, maar een focus op innovatieve en participatieve...
  • Book: Arjen Mulder 1 Jan 1996

    Het Twintigste-Eeuwse Lichaam

  • Leren van andermans fouten

    Verslag van Kom je ook? 6 - Oops

    De zesde editie van het symposium Kom je ook? had het thema ‘Oops’. Sprekers gaven eerlijke en scherpe analyses van door hen gemaakte fouten. Een tweet van Zonja op de back channel vat het samen:...
  • 1 Jan 2002

    Alex Adriaansens (1953 - 2018)

    visual artist

    Alex Adriaansens was  director of V2_ until June 2018, and afterwards was an advisor and consultant at V2. As the artistic director of V2_he was also responsible for the DEAF bi-annual festival one...
  • Mediamatic Magazine Vol. 9#1 CD-ROM Mari Soppela

    Family Files

    The CD-ROM

    Family Files, Mac/Win CD-Rom, Amsterdam, © 1998 , together with Mediamatic Foundation (pub), Vol9#1 The Secret Agent Issue, Amsterdam 1998, issn 09 207 86 4

  • Any Media Workshop @ IDFA 08

    21 | 22 | 23 | 24 | 25 November 2008

    The first workshop day started off with a keynote-lecture by Cassian Harrison about his work with the BBC-series "Britain from Above". The 5-part TV-series uses GPS-data to visualize daily life in...

  • In the Maze

    Alain Resnais' film Hiroshima Mon Amour as an early metaphor of the Virtual

    There are incidents in history which are irrevocably connected to an image. "Hiroshima" is such a name, the mushroom cloud its visual sign. But what do you know about the City, the incident?
  • Mediamatic Magazine Vol. 8#1 Geert Lovink 1 Jan 1994

    Heidegger On-Line

    Interview with Michael Heim

    Michael Heim has been called the 'philosopher of cyberspace'. Translator of Heidegger and author of 'Electric Language, A Philosophical Study in Word Processing', he has organized various American...

  • KJO6 Sprekers

    Zij zijn komen spreken tijdens Kom je ook? 6 - Oops

    Voor deze editie hebben we sprekers gevonden die bereid zijn te vertellen over hun fouten, zodat wij daarvan kunnen leren. Interesse om zelf ook je leermomenten te delen? Kom spreken en krijg vooraf...

  • KJO - Buitenspelen met mobiele media

    Fotoverslag

    Foto's genomen tijdens Kom je ook? - Buitenspelen met mobiele media, op 9 december 2010 in de Brakke Grond, Amsterdam. Fotografie Mediamatic / Halil Turaçtemur en Mar-Ina Uhrig.
  • Mediamatic Magazine Vol. 1#2 Mart Grisel, Murk Hoestra 1 Jan 1986

    Either/Or in Chinatown

    In 1984 GáBOR BòDY was artist in residence at WESTERN FRONT in Vancouver. He made Either/Or in Chinatown, a 37- minute video with a narrative structure, about the esthetic's of decay, erotic desire

  • CD-ROMs are Fun

    An interview with the directors of ‘V.O.L.V.O /Airbag CD-ROM’

    This CD-ROM is a transformation of an exhibition promoting Dutch new media artists (musical, time-based, computer-based art) from 1996. These artist are also the friends of the ‘V.O.L.V.O/ Airbag CD

  • About Kom je ook?

    Symposium, trainings, community

    Read more about our vision, our approach and our partners. Or visit the Kom je ook? website.
  • Project: kylie

    Twiekt

    Process exposed

    Twiekt is an education tool that opens up creative processes to potential audiences and art students.
  • Pakhuis de Zwijger

    BeamLab Maart

    28
    Mar 2007
    - Uitwisselingsplatform voor bewegend beeld

    BeamLab is de avond voor ontmoeting, uitwisseling en het opdoen van inspiratie op het terrein van bewegend beeld.

  • CueMark #1

    part of ABELmash: Annotation Based eLearning & mashups

    CueMark is a 2.0 streaming video&audio annotation tool for films, documentaries, television programmes, concerts and performances. It’s specially designed for the contextualization and analyses of...
  • Frascati

    Crisis in Frascati

    Strategieen van de kunstenaar

    Frascati roept in maart de crisis uit. We breken de theatermuren open en slepen de wereld naar binnen. Wat brengt de dag vandaag? We zien valutaduikvluchten, macht & paniek. We horen een roep om...
  • Project: Marieke de Lange,

    Think Tanks Connected *

    Idee ontwikkeling bij kinderen

    Ubuntu Theatre Organisation wil graag de katalysator en kweekvijver zijn van een nieuwe generatie idealisten die hun talent, creativiteit en denkkracht in willen zetten voor een mooiere wereld.

  • New Cultural networks

    publication Stifo @Sandberg Masterclass

    INTRODUCTION STIFO@SANDBERG BOOK By Mieke Gerritzen and Ingrid van Tol The Stifo@Sandberg master class is an annually recurring workshop that tracks, fosters and deploys digital developments in the...
  • Mediamatic Magazine Vol. 9#1 Hein Masseling 1 Jan 1998

    Tierra

    Artificial Evolution in an Artificial World

    Until recently, one of the most frustrating problems for evolutional biologists was the fact that the process of evolution could not be directly perceived as a process. With the recent development of...

  • A home for gnomes

    Pervasive gnoming hits Hacker Camp 2009

    What is it that makes the common garden gnome the stickiest RFID idea of the year? No matter how much hilarity or derision they provoke, the gnomes just won't go home.

  • Writing From The Margins

    Technological Narratives of Arabic Typography

    Narratives of Arabic typography shift between technological exclusion, historical resistance, and cultural rediscovery. From negotiations surrounding the display of Arabic script by Internet browsers

created Zoot Derks modified Eline

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