For his solo show at Arndt & Partner, Young German Art, Ziervogel created a three-dimensional installation that continues the systematic approach of declinations. However, the theme of brutalities executed on human bodies seems to be abandoned or exposed to a process of abstraction. Juxtaposed out of reduced mathematical formulas or, in the case of his new work, A+B+Z (infinite+infinite) (2009), a simplified code of letters, each system completely dissolves into a legible constellation composed out of fragments.
Using non-hierarchical orders based on numbers, dice dots, letters and figures, Ziervogel’s art has some parallels with the conceptual art Sol LeWitt pioneered in the late 1960s, with its serial processes and formulae. However, Ziervogel deliberately undermines all the mystic auras these conceptual artists associated themselves with, and breaks the system with its own means. In infinite+infinite (2009), an installation that consists of over 60 drawings on a black background, a seemingly random succession of letters suddenly forms complete sentences like “If you read this, your second child will die of cancer.” These sentences are not intended to shock, but rather to expose the semantic import separate letters acquire when put together in words and sentences. The sentences target the associations inherent in particular constellations of letters and the thoughts they conjure up in our minds; the rational system of the alphabetical order thus serves to activate the irrational power of our superstitions.
Opening
01 May 2009, 6 to 9m