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  • Frascati

    Crisis in Frascati

    18
    Mar 2009
    - ONDERHUIDS

    Frascati roept in maart de crisis uit. We breken de theatermuren open en slepen de wereld naar binnen. Wat brengt de dag vandaag? We zien valutaduikvluchten, macht & paniek. We horen een roep om...
  • Politics
  • Criticism
  • Theatre
  • Cinema
  • Theory
  • Frascati

    Crisis in Frascati

    Strategieen van de kunstenaar

    Frascati roept in maart de crisis uit. We breken de theatermuren open en slepen de wereld naar binnen. Wat brengt de dag vandaag? We zien valutaduikvluchten, macht & paniek. We horen een roep om...
  • project: kylie

    Twiekt

    Process exposed

    Twiekt is an education tool that opens up creative processes to potential audiences and art students.

  • Why Lithuanians don't dance

    and the Austrians don't like prizes

    Awards are never fair. And they are never fun. Except maybe for those who take part and win. And even that not always. However, 5 internationally famous artists on show and 50.000 euros in prize...

  • CueMark #1

    part of ABELmash: Annotation Based eLearning & mashups

    CueMark is a 2.0 streaming video&audio annotation tool for films, documentaries, television programmes, concerts and performances. It’s specially designed for the contextualization and analyses of...
  • Pop-Up Cafe

    The Last Sweat Party in the Pop-Up basement

    The Pop-Up Café is a temporary exhibition that will take place from June 6 until August 2 at Meneer de Wit Gallery in Amsterdam. Created by Eline Mul and Karolien Buurman, it's a place that looks and...

  • The Enchanted Canary*

    Contemporary Arabic Children's Books

    'If I do not mistake, you come from far. May I ask where you are going?' 'I will tell you,' answered Désiré, 'though most likely you will laugh at me. I dreamed that in the land of the sun there was...

  • TODAYSART 2011

    Festival beyond art

    TODAYSART is a festival in The Hague organized by The Generator, which profiles itself in Art, Music and Technology.

  • THE METAPLASTIC CONSTRUCTOR

    PROJECT DESCRIPTION The project is related to an abstract art language methodology applied to the virtual world concept. The Constructor is a Conceptual 3d visual engine which builds the virtual...

  • Workshop Craftworld: the Art of Television and…

    (Dutch-language event) Third workshop in a series bringing Dutch media developers and TV makers together to develop concepts that combine the worlds of television and computer games.

  • Report: What's Up #27: 'ik wil een film maken die…

    6 april 2010

    What's Up gaat vanavond helemaal over special effects. Jörgen Tjon a Fong ondervraagt regisseur Tim Smit, Vincent Lammers en Kyle Obley van The Ambassadors en Rogier Samuels en Xander Forterie van...

  • He who says Zero he who says One

    Learning-plays by Brecht performed by humans and machine

    My current research at Goldsmiths MA Critical Theory and Practice concerns FLOSS+Art and the epic theatre of Bertolt Brecht that seeks to interrogate political action in a control society.
  • 1 Jan 2005

    What are the Issues Covered

    @ the Interactive Narration Workshops?

    In each Workshop we view the Possibilities and Difficulties surrounding Interactive Narration from the Perspective of the Participants' Discipline.

  • Exhibition: the Dutch influence on Arabic type

    Dutch designers' involvement in the production of Arabic printing types from the 17thC to present day

    A timely and positive way to promote cultural exchange and tolerance between the West and the Arab world.

  • CONNECTING CONVERSATIONS

    De kunst van de nieuwe professional

    ...de tegenstellingen van een tijdperk waarin we onszelf geconfronteerd weten met de noodzaak en de onmogelijkheid om tot een totaal vernieuwend gemeenschappelijk handelen te komen... (Guy Debord)

  • w139/reading

    Lees | Denk | Discussieer

    Vanaf oktober organiseert W139 zes leesgroepen rondom verschillende culturele en actuele thema's. In de groepen worden verschillende teksten behandeld die de basis vormen voor discussie. Elke groep...
  • Frank Mohr Instituut

    Future's past: re-imaging art and media

    1
    Jan 2006

    The start of an ongoing series of public lectures.

  • The Definition of Conceptual

    somewhat of a review concerning a debate on the value of concept.

    In the invitation Premsela sent out for their New Year's reception was the following: "Concept and Conceptual; the most used and especially abused words in the jargon of art, design and architecture.

  • The Typographic Landscapes of the Arab World

    Research on Aesthetic Trends and Legibility

    Tarek Atrissi’s will present a research on aesthetic trends and design conventions in the Arab world, through the analysis of selected current practices in Arabic type design, corporate identities

  • Writing From The Margins

    Technological Narratives of Arabic Typography

    Narratives of Arabic typography shift between technological exclusion, historical resistance, and cultural rediscovery. From negotiations surrounding the display of Arabic script by Internet browsers

  • That's a wrap in Prague

    Prague is the right place for movie-buffs and theatre-junkies. With all of the underground performing arts and indie films running constantly in the city, my experience has been that boredom is not...

  • Report What's Up? #39

    DJ Woes tipt toffe projecten uit de creatieve industrie
  • Pakhuis de Zwijger

    BeamLab Maart

    28
    Mar 2007
    - Uitwisselingsplatform voor bewegend beeld

    BeamLab is de avond voor ontmoeting, uitwisseling en het opdoen van inspiratie op het terrein van bewegend beeld.

  • Wrong

    curated by Katharina Fritsch and Gertrud Peters

    The internationally acknowledged artist and professor of the Academy of Arts Muenster, Katharina Fritsch handpicks young artists for the exhibition „wrong“ and presents them in cooperation with...

  • In defence of a remarkable exhibition

    The Spirit & Life exhibition

    It was rather surprising to find the Spirit & Life exhibition in London dismissed on the Khatt site as just "another Arabic cliché exhibition". In the first place it is not, and nowhere claims to be

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