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  • Image:

    Mezrab Book Launch Poster

    Come one! Come all! Saturday, Feb. 5 at the Mezrab in Amsterdam. Doors open at 19:30.
  • art
  • Storytelling
  • Activism

  • The Code Noir: A brief, yet powerful history

    Winston Churchill famously said that “those that fail to learn from history are doomed to repeat it.” Our upcoming NeoFuturist Dinner touches on the importance of learning from our collective...
  • Mediamatic Magazine 3#4 Willem Velthoven 1 Jan 1989

    In Memoriam Videokunst

    An Instructive Exhibition

    Video Art has passed on. It will be laid to rest in the next few months by the Cardinal of the West German faithful, DR. WULF HERZOGENRATH, assisted by that relative novice DR. EDITH DECKER. The...

  • Mediamatic Off-Line Vol. 10#3

    For a Better World - winter 2001

    Following on from Cesare Davolio's Annunciation (on the Red Brigade's kidnapping and eventual execution of the Italian politician Aldo Moro), this is the newest contribution to our irregular series...

  • Krakersmonument

    Jeremiah Day / SMBA in het kader van MyNameIsSpinoza

    In samenwerking met het Stedelijk Museum Bureau Amsterdam realiseert kunstenaar Jeremiah Day (VS, 1974) zijn concept voor ‘Krakersmonument’, een kustwerk in de openbare ruimte.
  • exhibition: Mediamatic Biotoop Dijkspark Teun Castelein

    Rederij Lampedusa

    11
    Sep 2015
    - Refugee boat in recreational boating

    Amsterdam has a new shipping company; Rederij Lampedusa, located in the harbor of Mediamatic. The shipping company consists of a fleet of two North African boats, which were used by refugees to cross...

  • Mediamatic Magazine 2#3

    March 1988

    Also included a special about Rabotnik TV

  • Staging Cities. Een bijeenkomst van mensen en…

    Staging Cities experimenteert met nieuwe manieren om publieke zaken te ensceneren.

    Hoe worden steden bevolkt? Entiteiten, dingen, infrastructuren, mensen, machines, groepen, instituten, karakters… Hoe leven zij samen? Wat zijn de conflicten die deze zaken samenbrengen en scheiden?

  • Disruptive nightlights

    A fluorescent stand against public urination

    Putting a rather lustrous spotlight on a seemingly unnoticed problem in Madrid, Luzinterruptus took it upon themselves to draw attention to some people's use of the public spaces as personal...

  • Made possible by:

  • Mediamatic Biotoop Dijkspark, Mediamatic Eten, Dijkspark Naomi Tidball

    Food is both fuel and identity

    A blog for Code Noir

    In light of our upcoming Code Noir event, it is important to reflect on globalisation's ability to reshape food. It offers a diversity within gastronomy, and it allows for a wider availability of...

  • Mediamatic protesteert in stijl op Uitmarkt

    "Minister en Kamer: houdt Mediamatic niet klein"

    31 augustus 2008. Protest van Mediamatic tijdens de Uitmarkt met de Burka Big Band van Sietske Tjallingii en de lompen Fashion show met Martin Butler en Andrea Crews . Inzet: zorgen dat het positieve...

  • For a better World Buy now!

    Mediamatic Foundation (pub), Amsterdam 2002, isbn 90 74728 32 4, English text, 11 euro

  • Interview with Ziv Ben Gal

    Framing the frame

    Ziv Ben Gal grew up in Tel Aviv and moved to Eindhoven in 2007 to study design.
  • 1 Jan 2003

    Joep van Lieshout

    artist and designer

    Joep van Lieshout was born in Ravenstein, The Netherlands in 1963. He studied at the Academy of Modern Art in Rotterdam, Ateliers '63 in Haarlem and Villa Arson in Nice. In 1995 he founded Atelier...

  • Media 2007 Call for proposals

    Deadline for interactive narrative projects in development: Feb 10

    Developing Interactive Narrative Content Seminar Stuttgart, Germany April 29 - May 5 2007 In 2007 the Developing Interactive Narrative Content Seminar will take place, again, in Stuttgart, Germany...
  • 1 Jan 2005

    What are the Issues Covered

    @ the Interactive Narration Workshops?

    In each Workshop we view the Possibilities and Difficulties surrounding Interactive Narration from the Perspective of the Participants' Discipline.
  • magazine: Kalle Lasn 1 Jan 1992

    Adbusters

    The Journal of the Mental Environment

    The Adbusters Media Foundation publishes the reader-supported, advertising-free Adbusters, an activist magazine with an international circulation of 120,000 devoted to challenging consumerism.
  • Mediamatic Magazine Vol. 7#1 Bert Mulder 1 Jan 1992

    Rumour has it...

    The computer is the canvas of our time, on which we inscribe our beliefs and read the stories we tell ourselves. The quality of the canvas determines the quality of our communications. To date
  • 1 Jan 2002

    Rainer Werner Fassbinder

    director, writer, actor (1946-1982)

    Fassbinder is renowned for politically controversial plays and motion pictures that often criticize social institutions.

  • Paper Universe

    Old technologies revisited: we made and sold good looking furniture from recycled paper and cardboard and organized workshops. More than sustainable products, these pieces of furniture are true works...
  • Mediamatic Magazine Vol. 1#4 Jans Possel, Willem Velthoven 1 Apr 1987

    Installations Video à Bruxelles

    This March, an exhibition of video installations was held in Brussels. At Raffinerie Du Plan K. The place alone was worth a visit. A former sugar factory in Rue de Manchester in the city's 'English'...
  • book: Hirshhorn Museum 1 Jan 1977

    Probing The Earth

    contemporary land projects

    This is the catalogue produced to accompany a major earthworks show at the Hirshorn Museum.

  • Kritiek van de visuele sensatie

    (eerste deel en de conclusie van de lezing die zij gaf tijdens het symposium Visual Sensations op zaterdag 12 februari 2005)

    De organisatie van Visual Sensations wil met dit symposium en met de eerste wedstrijd onder VJ’s in Nederland en Vlaanderen, serieuze aandacht voor het werk van VJ’s bereiken. De organisatoren...
  • Mediamatic Magazine Vol. 7#3/4 Alfred Birnbaum 1 Jan 1994

    Better Not Knowing

    A Fable

    In those days, so much was unaccounted for that they decided to base their economy on what they didn't know. It made sense: a life where everything is known is not worth very much, people said, so...

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