Bodo Sperling grew up in Frankfurt am Main, Leipzig, Amsterdam and Berlin. He earned his first money by selling his paintings on the streets and in the clubs of Amsterdam. Artistic influential was his almost daily presence in the Paradiso (Amsterdam), there, he came together with artists from around the world. One focus of his work is the development of scientific models by looking at the aesthetics, and the implementation of scientific models in objects. He developed in 1985 the art direction "Objectivism". [1]
With this way of working, he as a representative of contemporary art is not alone. [2] [3] He develop from the perspective of function and aesthetics of the Natural Sciences and models usable applications (the idea of the inverted design sense).
He is recognized as one of the four co-founder of the East Side Gallery, Berlin in March 1990. [4] [5] [6] Since 1985 he works with computers as a design tool. Two of his paintings are to see in Museum of Modern Art, ZKM. [7]
Sperling 1992 installed on the 1st Total German artist Congress in Potsdam, a five-meter high mobile, which, illuminated by slides, the impression of a constantly changing 3-D film produced. From 1980 the first pictures emerged from crystals and crystal panels. Sperling describes his artistic work as Objectivism. [8] The basis of his work, he sees in line with research by Rupert Sheldrake and his theory of Morphic field.
Everything around us is past, we are in the present and the future is a singularity in us.
Bodo Sperling developed in 1994 a hypothesis that the structure of our universe and the origin of diversity explained by the singularity.
The hypothesis includes why the universe is not homogeneously distributed, and why "dark matter" to explain the gravity field is not required.
