In this workshop we’ll look at the possibilities of new media from the point of view of a documentary author, and all participants develop a prototype of a many media documentary.
Starting from content ideas or from existing material, participants will develop a prototype documentary project that uses one or more new media.
Workshop topics include: the mobile phone as production tool, the role(s) of the audience and Web 2.0 practices, interactive and databased stories, and the use of computer games for documentary purposes.
What media suit your content? What roles do you want your audience to have? What tools suit your concept? What new aesthetic questions do you need to answer?
Trainers and lecturers
Next to our outstanding workshop team of Florian Thalhofer, Jakob Schillinger and Klaas Kuitenbrouwer we are happy to announce that Viktor Kossakovsky (RUS) and Adrian Miles (AU) will be our guestlecturers.
Viktor Kossakovsky
Is a important Russian director, who we know from the documentary Tishe!
He also won the 1993 Joris Ivens Award with his documenatry BELOVY. At this workshop he will tell about his work methods and react to the developing participants projects.
Adrian Miles
Is a well know media theorist, teacher and publicist on videoblogs and documentary. More information about Adrian can be found on his vlog blog
What?
The workshop kicks-off with an afternoon seminar on best practices in crossmedia documentary projects. In the five following days, makers will develop prototypes of their own crossmedia documentary projects, tutored by experienced coaches and international guestlecturers that present their projects and react to the participants proposals.
Results will be shown and discussed at 30 november in De Balie from 11.00 hrs till 12.30 hrs.
Workshoptools
Next to the sly and easy-to-use Korsakow System, participants are introduced to a selection of current online tools to build their projects with. All participants are helped realizing their workshop projects by savvy technical assistants. Participants need no specific technical knowledge in advance.
For whom?
The workshop is designed for 16 makers, producers, editors and educators of documentary film, radio, television and video.
When? Where?
Openingsymposium: Friday 24 November 2006, 14.00 hrs - 16.30 hrs at De Balie, Kleine Gartmanplantsoen 10, Amsterdam.
Workshop sessions: Saturday 25 - Wednesday 29 November 2006, 10.00 - 16.30 at Mediamatic, Oosterdokskade 5, 5th floor, Amsterdam.
Final presentation: Thursday 30 november 11.00 – 12.30 De Balie.
Reader
Mediamatic.net contains a huge collection of articles, book reviews and project reviews on new media practices from the past 15 years.
The grey bar at the top of this page contains the keywords with which the editorial system (called AnyMeta) finds content in the mediamatic.net site that matches the content of this page.
So, anyMeta automatically creates a reader on the topics of the workshop programme.
The links to this matching content appear on the right of this page.
On the topics of interactive film, interactive storytelling and databased stories a special collection is made of articles that are part of mediamatic.net and articles from elsewhere online.
Please find the Reader for the Interactive Film Labs here
Workshop Report
The IDFA opening symposium DocsOnline on 24 November cut through a collection of current new media practices that were selected because of their relevance from the perspective of documentary making. DocsOnline looked at locative media projects, user-generated projects and cross-overs between game culture and documentary making. It plunged the workshop participants deep into the sea in which they were supposed to learn to swim in the coming five days.
DocsOnline?
The third edition of DocsOnline took place on 24 November 2007. Klaas Kuitenbrouwer, (NL) teacher and researcher of current media practices at Mediamatic, together with Bruno Felix presented and moderated the afternoon and interviewed the lecturers.
Adrian Miles (AU) lecturer in theory and practice of interactive video and hypermedia at the RMIT University in Australia analysed the current vlogging culture as a documentary practice, James Richards (UK) , development producer of BBC's Cross Platform Development Unit showed his project Parenting Video on Demand, that provides on-line access to 60 hours of video content editorialized into more than 90 viewer journeys. Alex Chan (FR) maker of the famous Machinima movie The French Democracy (FR) talked about how Machinima can seem realistic. Esther Polak (NL), prizewinning maker of MILK and other locative media documentary projects showed how locative media offer different constructions of reality. Bruno Felix (NL) crossmedia producer, founder of Submarine talked about the documentary elements in Submarines' game Crusade in Jeans.
Boudewijn Koole (NL) maker of the beautiful Herinnerdingen talked about ways to create aesthetic and contentwise coherence in projects of which user-generated content is a part.
Mediamatic workshop coach Jakob Schillinger (G) was invited by IDFA to make a Korsakow Project that was to function as an interactive programme guide to the DocsOnline programme, and that was played live on a seperate screen during the presentations.
This Korsakow Project was a databased index of all the projects and practices that came along in the DocsOnline programme.
All shown items in the project were connected through keywords, that revealed the technological, cultural or thematic relations between the practices and projects. DocsOnline plunged the workshop participants deep into the sea in which they were supposed to learn to swim in the coming five days.
(Guest)Lecturers
The core workshop team this time consisted of Florian Thalhofer, Jakob Schillinger, Klaas Kuitenbrouwer and assistants Louise Berg, Eric Holm, Amy Patton, and Cornelia Durka.
On top of this we were the proud hosts of Adrian Miles from RMIT University in Melbourne, one of those precious practice-based theorists, that can conceptually dissect media practices and technologies without losing sight of how things actually get done. Adrian covered a large collection of topics ranging from vlogging to net-native documentaries, and from soft video to mash-ups with Google maps and more, in very a concise period of time, and gave a great push to the project development in this workshop.
Our other illustrious guest was Victor Kossakowsky, to whom all cinema is actually is documentary, because it is all about looking closely at reality unfolding itself in front of your camera. Kossakowsky talked about his instinctual way of filmmaking, and about the small miracles that begin to happen if you treat every moment as unique and unrepeatable.
Prototyping
This rich and varied diet of concepts and projects led the participants in developing a range of imaginative and inspired new approaches to the documentary practice. After five intensive days the workshop participants presented their projects on 20 November 2007 in De Balie in Amsterdam, as part of the IDFA programme.
The Nicest Nurse
Ulrika Geeraedts (SE /NL) developed a prototype of a video exchange network: a audiovisual community site for small hospital patients. Based on assignments like: 'film you nicest nurse', or 'film your worst hospital meal', and with some clear but simple rules about the form of the contributions to generate some aesthetic coherence, the little patients make small documentations of their everyday hospitalized reality, and upload these to a community website that also supports different channels of communication.
Footnoted Film
In every workshop with the Korsakow System, there is at least one participant who invents a way of using the tool that seems completely clear and obvious once it is made, but that nobody thought of before.
For the Any Media Documentary workshop @ IDFA 2006 this was Spanish documentary maker Jeronimo Mazarrasa.
His prototype of the 'footnoted film' The Ayahuasca Conversation suggests a whole genre of future Korsakow projects.
Not only does his project solve the basic tension between storytelling and interactive possibilities for documentaries, it also solves some basic issues many documentary makers struggle with. Like having to sacrifice really relevant and beautiful footage to your 45 minute slot. Like trying to negotiate different perspectives to topics with differently oriented audiences without losing coherence in the storyline. Like showing respect to the sensitivity of the material to its subjects but also trying to bring your own views across.
Whenever a viewer of The Ayahuasca conversation is offered a choice, it is between two possibilities: one is to go on with the linear story (indicated by an arrow to the right) or leaving the main story and going into.
Hell
Filmmakers Debby Koudenburg(NL) and Tony Telson (UK/NL) together made an atmosferic interactive video tour through the old center of Amsterdam, combining their own footage from the red light district with texts from Albert Camus' The Fall in which the geographical layout of Amsterdam with its rings of canals is compared to the spatial arrangement of Dante's Hell...
Poor boy
Documentarist Marta Zaccaron (I) made a kind of generic documentary on the dreams of a poor boy in a big city. She cleverly used the porousness (to use a term Adrian Miles brought into the workshop) of the web in her set-up. Her story consists of ten consecutive stages with accompanying texts. Every stage consists of one collection of strong pictures, all with the same text. When a user clicks through her project, at every stage the system randomly chooses one picture from the collection. So every time a different story of ten consecutive elements is created, creating a profound experience of the similarity of the dreams of otherwise unique poor boys in big cities.
Alchemy
Sytse Wierenga (NL) developed an almost alchemistical formula by which a software analyses and processes a spam mail into a short film that is published on YouTube. The spam mail is divided in sections, from every section the most distinctive word is chosen. These words lead to search queries among online video files, from which some sequences, sounds and single frames are copied and brought together into a new video file that is published on YouTube. The projects hereby automatically documents elements of online culture as it plots new trends in spam mails against new trends in user generated content.
The Grey Bench Project
Marijn de Jong (NL) and Leera Kim (RoK), to close of, developed a prototype of the Bench Connection. Most cities in the world have some public benches where marginalized elderly people come together. The Bench Connection project gives specific assignments to documentary makers all over the world to portrait the people on their local grey bench and to publish their stories in one huge community website, where all the grey bench stories are connected with keywords. These keywords relate to the times, places and themes that describe the people on the benches as well as the content of their stories. The assignment to the makers includes the condition that those contributing to the Bench Connection community website, show the site with their published footage to the people they have portrayed, thereby establishing a mediated connection between the grey bench dwellers.
