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  •  Mediamatic Magazine
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  • Mediamatic Magazine Vol. 1#4 Marie-Adèle Rajandream 1 apr 1987

    Parácas Chimu

    This spring, FRITS MAATS (1949) presented the multimedia-installation Parácas Chimu in the KIJKHUIS in The Hague. A logical sequence to his thematic approach to art history, especially to the...
  • Beeldende kunst

  • Mediamatic Magazine 1#1

    mei 1986

  • Mediamatic Magazine 0#0

    december 1985

    Sinds de uitvinding van de Videokunst in het begin van de jaren 60 door Nam June Paik zijn steeds meer kunstenaars zich van electronische media gaan bedienen. Tot halverwege de jaren 70 vaak als...
  • Mediamatic Magazine Vol. 1#3 Marie-Adèle Rajandream 1 jan 1987

    Travel in Light

    Travelling evokes numerous thoughts and feelings: often exciting because one is facing the unknown, because one thinks about the new destination, and recalls one's previous journeys. At the airport
  • Mediamatic Magazine 3#2 Marie-Adèle Rajandream 1 jan 1988

    Work to Watch

    Giny Vos (Rotterdam 1959) graduated this summer from the RIETVELD ACADEMIE in Amsterdam. She has become known for a number of large-scale conceptual works.
  • Mediamatic Magazine Vol. 1#2 Marie-Adèle Rajandream 1 jan 1986

    Fluxus + Video

    Excessive motions, as for instance with dysenteria, which purge the system. -Low or high tide. -A substance which improves the joining of metals or other materials. By applying the above cited...
  • Mediamatic Magazine Vol. 1#1 Frits Maats 23 feb 1986

    Het Schilderij als Halffabrikaat

    Een schilderij dat af is wordt aan de muur gehangen. Een statisch beeld, een rustpunt tussen alles wat beweegt. Dat wat zich aan de schilder openbaart, zoals zijn idee, de fysieke handelingen, de...

  • Mediamatic Magazine 1#3

    januari 1987

  • Mediamatic Magazine Vol. 1#1 Marie-Adèle Rajandream 1 jan 1986

    Bert Schutter zes Werken.

    De videowerkstukken van BERT SCHUTTER kunnen getypeerd worden als vindingrijk zowel wat betreft de vormgeving als de inhoud. Zijn ongewone kijk op objecten of op kunstwerken vindt zijn weerslag in...
  • Mediamatic Magazine Vol. 0#0 Marie-Adèle Rajandream 1 dec 1985

    Livinus en het Licht

    Livinus van de Bundt creerde abstracte beelden met behulp van licht.

    Een nieuwe kunsttak zal zich binnenkort scharen bij de verschillende soorten van de beeldende kunst die voor restauratie in aanmerking komen. De videokunst, nog maar 20 jaar oud, een kunst die men...
  • Mediamatic Magazine Vol. 1#4 Willem Velthoven 1 apr 1987

    Forever Young/Echoes of Death

    In the lnfermental V 1) catalogue, LYDIA SCHOUTEN and ROB PERRéE began an article about the hero in media art with a reference to JERZY KOSINSKI's Being There : without knowing what's happening to...
  • Mediamatic Magazine 3#4 Stefaan Decostere, Chris Dercon, john wyver 1 jan 1989

    The New Museum

    script for a television program

    The six sequences published here have been taken from a script consisting of 19 sequences, they were written during the second half of 1988 by Stefaan Decostere and Chris Dercon, translated and...
  • Mediamatic Magazine 3#4 Henri - Pierre Peudy 1 jan 1989

    The Museum of the World

    ( The Museum of the World ) It may be lively, dynamic, didactic, hyper-modern, superattractive... but a museum remains a museum. The will to renovate, transform and modernise spaces used for the...
  • book: Florian Rötzer 1 jan 1991

    Digitaler Schein

    Aesthetik der Elektronischen Medien

  • Mediamatic Magazine Vol. 7#2 Paul Groot

    Reijnders

    Frank Reijnders, Metamorfose van de Barok, Uitgeverij Duizend & Een, Amsterdam 1991

    De ruimte die in Metamorfose van de Barok als barokke ruimte geclaimd wordt, is een terrein dat zich uitstrekt van de Villa Palagonia nabij Palermo (door Goethe in zijn Italienische Reise beschreven...
  • book: Kasper König, Peter Weibel 1 jan 1991

    Das Bild nach dem Letzten Bild

  • Mediamatic Magazine 3#4 Maurice Nio 1 jan 1989

    The Art of Dying

    In one animals confront us with our incapacity to become extinct. In the other an obscure machine confronts us with the obsession for storing information. Two installations by IVO VAN STIPHOUT.
  • Mediamatic Magazine 3#2 Preikschat, Wolfgang 1 jan 1988

    Maria Vedder in Museum Ludwig Klaus vom Bruch in…

    The critic who is used to looking thoughtfully out of the window during train journeys, will currently meet an astonishing number of works of the familiar rectangular format. Travelling from city to...
  • Mediamatic Magazine 3#2 Glenn O'brien 1 jan 1988

    Dommelsch Is Really Gonna Make It

    When I think about the possibility today of what used to be called an art movement, I think about what ROB SCHOLTE calls Business Art.
  • Mediamatic Magazine Vol. 6#2/3 Paul Perry 1 jan 1991

    New Collector

    It was August and a terrible month. Would new pleasure keep growing and burst red? The salmon ascended rivers, jumping stones. Leap frogging the tall trees, fallen long ago. Leaves gone, trunk...
  • Mediamatic Magazine 3#4 Friedemann Malsch 1 jan 1989

    KLAUS PETER SCHNUTTGER-WEBS

    The artist KLAUS PETER SCHNUTTGER-WEBS started out in Cologne in 1981, developing from being a critic who attacked the commodity-based character of the art market to become a real cult figure who...
  • Mediamatic Magazine 3#2 Simon Biggs 1 jan 1988

    World Wide Video Festival / 3. Videonale

    Recent developments in video had been marked by the fragmentation of the medium - into well defined styles and genres - the volume of production and their generally technically advanced quality. The...
  • Mediamatic Magazine Vol. 6#4 Geert Lovink 1 jan 1992

    Rötzer

    Florian Rötzer, Digitaler Schein, Suhrkamp Verlag Frankfurt 1991

    Florian Rötzer presently enjoys notoriety in the world of media aesthetics as an organizer, a journalist and an authority on French as well as German authors and artists working in the field.
  • Mediamatic Magazine Vol. 6#4 Dirk van Weelden 1 jan 1992

    Ulmer

    Gregory Ulmer, Teletheory: Grammatology in the Age of Video, Routledge New York 1989

    Despite what the title may seem to imply, this book is not an attempt at a philosophical analysis of the grammatological aspects of the video medium. In the book, Ulmer formulates his answer to the...
  • book: Constance Penley, Andrew Ross 1 jan 1991

    Technoculture Cultural Politics vol 3

bewerkt Jans Possel

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